Societal elements are present throughout the tattoo. In the latter third of the book we are more closely tied to the characters and have the ability to follow the writer in greater detail into the lives of Ken and Koa.
Brothers, through the extended family style living that is fostered here in Hawaii, related though not by blood. We see Ken and Claudia’s return to the east side as something that is ever so natural for Ken, at first.
The beauty of the east side surroundings is initially a mask to the pain that hides behind the faces that inhabit the lands. Ken refers to the lands of his childhood as God’s Land. Claudia can see it now for the first tim.
Differences between the sides of the Ko‘olau mountains are apparent in the environment. As the story moves on into the characters we see different cultural patterns that emerged between Claudia and Ken’s family and friends.
Can attribute Claudia and Ken’s dads differences to gender roles, social stratification, or even generational gaps. Dad expects Claudia to take his put down remarks. Strong willed as she is, Claudia cannot belittle herself to let the comments pass without a reaction.
Cultural differences emerge through the language used and derogatory terms passed from each of them. Eastern Asiatic wars stimulate negative backgrounds between Korea and Japan. Wounds still sore are burnt with Claudia’s salty attitude. Dad and Claudia cannot see past it to get along.
Kahala and Claudia differ in a few ways. Claudia stands out as more of a feminist and seeks equality for women. Her attempts to help Kahala are not necessarily what is appropriate regarding the situation and social schemata. Kahala and Koa have a dynamic within their relationship that has in place long before Ken’s return with Claudia.
Subservience is not a great role to play as a woman, however, that is where Kahala stands for the maintenance of her family. She vowed to Koa through their marriage and along with the rest of the family they hope for the best despite the reality of the situation.
Aware of the two differing places, Claudia is in a social disposition between what she knows is right and what is right for the situation. Experience with her strong willed and powerful mother give a false idea as to what to do in this situation. The social structure is a bit different and Ken helps her to realize how different it really is.
Koa goes nowhere far from what he was doing through his high school years, left to the devices of substance for the numbing of experience. The opportunities available for him leave little room for success or worldly gain. His family suffers as they promote the system that exploits them.
Life on the eastern side of Oahu is a step back in time for Claudia and Ken. Fast paced living over in town does not compare to the country life. Real life problems are impossible to run from. Where was once pristine and beautiful is muddied by the trademarks of capitalism. Money along with weapons, drugs, and violence.
People, victims of society, under the false consciousness are more likely forgotten or left behind in an industrial city. In the tattoo, we are able to delve into the life of an entire family and see how they are all impacted by the constructs of society. The blame of the actions in the story is not left up to one individual. There is a movement greater that they each are influenced by. This story is present in the many families that are here.
Suffering due to what the system leaves for you is a sad ending to many peoples lives. Unfortunately the capitalistic system takes advantage of many and exploits them and makes the life experience less than pleasant. Here we see and example first hand.